In the wake of Devery Jacobs’ scathing critique of “Killers of the Flower Moon,” Lily Gladstone, renowned for her stellar performance in “Reservation Dogs,” has emerged as a steadfast supporter of Jacobs’ sentiments. This article delves
Lily Gladstone Stands in Solidarity with Devery Jacobs Against “Killers of the Flower Moon”
In the wake of Devery Jacobs’ scathing critique of “Killers of the Flower Moon,” Lily Gladstone, renowned for her stellar performance in “Reservation Dogs,” has emerged as a steadfast supporter of Jacobs’ sentiments. This article delves into the nuanced perspectives shared by Gladstone and Jacobs, shedding light on their concerns regarding the portrayal of historical traumas, particularly those experienced by the Osage people in the 1920s.
Understanding Jacobs’ Critique
Jacobs, a vocal critic on Twitter, didn’t mince words in expressing her dissatisfaction with Martin Scorsese’s true crime drama. Describing it as “f hellfire,” she denounced the film’s “unrelenting and unnecessarily graphic” depiction of the Osage people murders. Jacobs’ critique resonates deeply with the Native community, reflecting the profound trauma experienced by Native women when confronted with graphic portrayals of ancestral murders.
Gladstone’s Connection and Support
Lily Gladstone, whose Golden Globe-winning portrayal of Mollie Burkhart in the same film ties her intimately to the subject matter, has publicly supported Jacobs. In an interview with Rolling Stone, Gladstone empathized with Jacobs, acknowledging her critique as a genuine response to the trauma endured by Native women. She emphasized the unfairness of criticizing Jacobs, citing their friendship and
shared experiences during a film festival in Toronto.
Trauma and Osage Reaction
Gladstone shed light on the emotional toll such depictions take on the Native community. She emphasized the need to understand that Native women, like Jacobs, may be encountering these traumas for the first time. The Osage people have lived with this history, and the film’s production provided a platform for their voices. For Gladstone, the Osage community’s reaction holds utmost significance.
Jacobs’ Twitter Thread: A Deeper Dive
Turning to Jacobs’ Twitter thread, Gladstone concurred with Jacobs’ concerns about the film’s lack of honor and dignity towards the Osage people. Jacobs highlighted the normalization of violence and raised pertinent questions about the potential impact on audiences. Gladstone reiterated her alignment with Jacobs’ perspective, emphasizing her primary concern for the Osage community’s response.
Despite Jacobs acknowledging Gladstone’s performance and recognizing the contributions of Indigenous actors, Gladstone dispelled assumptions of “Killers of the Flower Moon” being a “white-savior story.” Post-Jacobs’ critique, Gladstone reiterated the film’s portrayal of generational grief, acknowledging its potentially triggering nature, especially for those unfamiliar with the Osage people’s history.
Navigating Historical Traumas on Screen
In the ongoing discourse surrounding the film, both Gladstone and Jacobs provide invaluable insights into navigating the complexities of depicting historical traumas on screen. Their conversation underscores the pivotal role of representation and sensitivity in storytelling, especially when it comes to narratives involving marginalized communities.
In conclusion, the collaboration of Lily Gladstone and Devery Jacobs in critiquing “Killers of the Flower Moon” serves as a crucial dialogue on the portrayal of historical traumas in cinema. Their perspectives, rooted in personal experiences and a shared commitment to authentic storytelling, contribute significantly to the ongoing conversation about the responsibility of filmmakers in handling sensitive subject matter.